How much better are iPhone cameras 5 years later?

Duration

17:10

Captions

1

Language

EN

Published

Sep 28, 2025

Description

I feel like most iPhone camera comparisons are only between 1 generation, where it honestly barely changes for the most part, so before I trade in my iPhone 11 I thought I'd use it to show how much iPhone camera's have improved within 6 generations while comparing it to my new base model iPhone 17. Also again, thank you fellos and fellas for the recent support 😎 very cool stuff and I appreciate it -- 🎵 Where I get my music (30 days free): https://share.epidemicsound.com/wx8uzb 📸 Gear I use: https://kit.co/CarterNolan/my-gear-for-creating 📲 All of my links: https://linktr.ee/CarterN Carter Nolan is a participant in various affiliate programs - the creator may earn a commission when there's a purchase from the links. There's no additional cost to the buyer. -- Contact: CarterNolanBiz@gmail.com -- Current Subscribers: 12,934

Captions (1)

00:00

So, I just upgraded from my iPhone 11 to

00:02

the new base model iPhone 17. And before

00:06

I trade in the 11, I thought it'd be

00:08

interesting to compare the cameras.

00:09

Usually, phone cameras are just slightly

00:11

improved each year where it's not

00:13

actually worth it just to upgrade for

00:15

the camera. But what's the difference

00:16

like after six generations? So, I'm

00:19

going to go over some of the main

00:20

differences between the two phone

00:21

cameras and then also the available

00:23

features on each. And of course, at the

00:25

end, I'll be doing a side-by-side camera

00:27

quality comparison with all of them. And

00:29

by the way, as I'm recording this, we

00:31

just hit 10,000 subscribers, and I don't

00:34

have enough fingers and toes to count

00:35

that high. So, that's pretty awesome.

00:38

Thank you. So, starting with the new and

00:40

exciting iPhone 17, you have two 48

00:43

megapixel camera sensors on the back.

00:45

One is the standard 26 mm, and then the

00:48

other is the.5x 13 mm ultrawide. And the

00:52

ultra wide also has some good macro

00:53

capabilities, so that can come in handy

00:55

when you're getting a close-up. And in

00:57

the default camera app, you can

00:58

digitally zoom up to 10 times for photo

01:01

and I believe six times for video. And

01:03

on the iPhone Pros, you get a telephoto

01:05

lens, which this does lack. I wish it

01:08

had it. And something that's new to me

01:09

that I actually have been barely able to

01:11

test yet is the camera control button,

01:14

which I'm looking forward to using

01:15

later. I like just figured out how it

01:17

works. And you can control a lot of

01:18

things from here, which is pretty

01:20

convenient. And although I'm personally

01:21

not much of a selfie guy, there are some

01:23

huge improvements on the 17s. And this

01:25

year that's a 20 mm lens, so it's nice

01:28

and wide. And it's at 18 megapixels. And

01:30

specifically on the video side, you can

01:32

now get dual capture, which is a new

01:34

feature. And you know, I think it's kind

01:35

of fun. And with all of that, of course,

01:37

it comes with probably the biggest, most

01:39

useful, at least to me, improvement on

01:41

the selfie camera, and that's the wide

01:42

angle refframe. Even when you're holding

01:45

your phone vertically, especially if

01:46

you're just trying to take a picture,

01:47

it's like, "Oh, no one's fitting. Oh,

01:49

now now everyone's fitting." And the 17

01:51

can record up to 4K 60 frames per

01:53

second. Or if you flip it in the slow

01:55

motion mode, you can get up to 240

01:57

frames per second in HD. You can record

01:59

in HDR, but unfortunately you can't

02:02

record in Apple ProRes Log or now ProRes

02:05

RAW. That's only for the Pro phones,

02:07

which I would like to have that feature,

02:09

but this is this is plenty. Now, you can

02:12

record spatial video, which is like 3D,

02:14

but I don't have an Apple Vision Pro, so

02:18

I really don't know if I'm going to hit

02:19

on that in this video or ever, to be

02:22

honest. But hey, it's a it's a feature

02:24

there and it's cool. But what I will hit

02:25

on this video is the new well new to me

02:28

cinematic mode which adds some

02:30

background blur and also the action mode

02:32

which just adds some extra

02:34

stabilization. And although it's not

02:35

directly a part of video, it is needed

02:37

for video and that's storage. The 17

02:40

came with double the base storage as the

02:43

16 and four times the storage on my

02:46

iPhone 11. So that's definitely helpful.

02:48

When I was recording a video testing my

02:50

iPhone 11 camera to my main Sony FX3

02:53

camera, it kept running out of storage

02:55

and that caused a lot of problems. Not

02:58

exactly the ideal video experience. And

03:00

as far as the iPhone 11, it has the same

03:02

back two cameras, at least in terms of

03:04

it being a 26 mm and a 13 mm.5x

03:08

ultrawide, but each of these only has 12

03:10

megapixels, which is four times less

03:13

than the iPhone 17. Now, when it comes

03:15

to video, megapixels aren't everything.

03:18

Actually, the camera I'm recording on

03:19

right now only has 12 megapixels, but it

03:22

also has a full-frame sensor, which like

03:25

by itself is the size of this entire top

03:27

part of my phone, and it's also where a

03:29

lot of the noticeable quality

03:30

differences come from. Megapixels really

03:32

tend to stand out when it comes to

03:34

photos. There's just extra detail to

03:36

zoom into, and sensor size tends to

03:37

stand out for videos because it can

03:39

allow better low light performance, more

03:41

depth of field, and things like that.

03:42

And I believe the only way to actually

03:44

take advantage of all 48 megapixels in

03:46

the sensor is by taking photos. I think

03:49

for video, each of these phones only

03:51

record at about 8 megapixels per frame.

03:54

So now I'm even more interested to see

03:56

the difference between these. And as you

03:57

might be able to see in terms of the

03:59

sensor size between the two phones. The

04:01

17s is about three times bigger. So

04:04

there should be a pretty big quality

04:05

difference there. But the front cam on

04:07

the 11 is also incredibly underwhelming.

04:10

It's a 23 millimeter lens instead of a

04:13

20 millimeter. And it's sitting at 12

04:15

megapixels, which is six less than the

04:17

iPhone 17's 18 megapixels. This is so

04:21

many numbers. On the 11, you can only

04:22

digitally zoom in five times for photos

04:25

and three times in videos. And also for

04:28

videos, the max recording is 4K 30

04:31

frames per second. And I believe you

04:33

could do 240 frames per second, but only

04:36

in 720p for slow motion. It doesn't have

04:39

HDR. It doesn't have cinematic mode. It

04:42

doesn't have action mode. And it

04:43

definitely doesn't have Apple ProRes log

04:45

or raw. And yeah, that's it for the

04:48

iPhone 11. What's most important at the

04:50

end of the day is the actual visual

04:52

differences that I mean, you're going to

04:53

be able to see for yourself or maybe not

04:56

see for yourself. So, I have six quick

04:57

test shots that I'm going to get with

04:59

both phones. And as you can see, I have

05:01

my 11 already set up. And you might be

05:03

able to guess, I'm testing the ultrawide

05:05

camera first. And I almost always

05:06

avoided using the ultra wide on my 11

05:08

just because it got so like grainy in

05:10

lower light. Okay, the 11 is done. Now

05:13

time for the 17 here. Let's pop that

05:15

into.5.

05:18

Hey, that should be a good little side

05:19

by side test there. You know, according

05:21

to Apple, their words, not mine. Four

05:23

times the quality in the ultrawide. So

05:26

doing the math, you carry the one

05:27

multipliers should be like eight times

05:30

the quality of the iPhone 11s. For our

05:31

next shot, we're going to grab one of

05:33

this. And you might not be able to see

05:35

that, but hopefully with the macro

05:37

capabilities of these cameras, maybe we

05:40

can. So, our goal is just to get as

05:42

close as possible. This is just in the

05:44

1x, I believe, in.5 you can get a little

05:48

closer. See, even that close, that's

05:50

just not quite in focus. And actually,

05:53

it looks like the 1x zoom is a little

05:54

better. So, it looks like that's the the

05:56

closest we're getting with the iPhone 11

05:58

that natively doesn't have any support

06:01

for macro. So, let's see how the iPhone

06:04

17 does. And with the 1X, we're already

06:07

closer. And I got to say, just

06:08

generally, the iPhone 17's screen is

06:11

brighter, better in every single way.

06:14

It's taking up the entirety of the frame

06:16

on 1x on.5x.

06:19

We're practically touching it here. We

06:20

are uh pretty close and comfortable

06:23

right now. I'll grab a recording there.

06:25

That is a obviously much better

06:28

performance than the 11 as expected

06:30

though. Now, I have this shot set up

06:31

here, which is pretty much what I would

06:33

do for my regular video using my real

06:36

regular camera, my Sony FX3. So, I'd be

06:39

curious to see how it holds up. Right

06:40

now, I'm on the iPhone 11 to start out

06:42

with. And now I'm on the iPhone 17 in

06:45

the default mode. I am going to test the

06:47

cinematic mode. It's an artificial

06:49

background blur. It's not like real

06:51

depth of field that you would get in

06:53

like my Sony FX3, but honestly, I just I

06:55

think it's a great feature. You might

06:56

not want to overuse it, but I think for

06:59

especially a shot like this, it can

07:00

really just add a layer of well depth.

07:03

But I am curious to see how it holds up

07:04

because this is again the first phone

07:05

I've ever had with it. I think the most

07:07

underrated way generally to record video

07:10

is using slow motion. It's like the only

07:12

way possible to slow down time, and I

07:15

think that's cool. So, I'm going to be

07:16

going as slow motion as possible with

07:19

both of these phones. Starting with the

07:21

iPhone 11. If we pop that into slow

07:23

motion, we can go 720p 240 frames. And

07:27

you can see the focus kind of jumping.

07:29

So if you actually tap and hold, it

07:31

locks and holds the focus to that spot,

07:33

which is a cool little tip. Start that.

07:37

Now for the iPhone 17, I want to see if

07:40

I could set this whole thing up using

07:41

the camera control button. I believe if

07:43

I tap it, it opens it up. And if I kind

07:45

of like half press it, I can get the

07:48

zoom, which that's that's cool. And if I

07:51

double tap it like that, I can switch it

07:53

from camera styles, tone,

07:56

depth, exposure. I guess I can't change

07:58

the mode. Well, I got far enough for me.

08:00

So, if we go to video and we can scroll

08:03

past cinematic to slow motion, and you

08:06

can see it still records in 240 frames,

08:08

but it's in HD, which is 1080p, which is

08:11

higher quality than the 11. So, let's

08:13

give this a go. I mean, I say this every

08:17

time for every single shot. It's going

08:18

to be interesting to see the results

08:20

there because it's the same frames per

08:22

second, just a different level of

08:23

quality and different cameras and

08:25

sensors, too. So, okay. Now, this one's

08:27

easy because I'm just testing the selfie

08:29

camera, so I don't really have to set up

08:31

much of a shot here. I am the shot. And

08:33

just by looking at the screens here, I

08:35

can already tell there's a difference of

08:36

noise. The iPhone 17 looks a lot

08:38

cleaner. And putting them side by side,

08:40

you can see that the 11 is a little bit

08:42

tighter, while the 17 is a little more

08:44

wide. Now, for a selfie camera, you

08:46

probably want it a little wider. So, it

08:48

looks like if you start recording on

08:49

this 17 vertically, you can't auto

08:51

refframe it. But if you stop the

08:53

recording and then click it, and then

08:55

just like that, I'm still holding it

08:57

vertically and it's recording

08:58

horizontally. Now, this is way more

09:00

comfortable for me. Also, if you ever

09:02

happen to record something in public,

09:03

this just looks like you're on your

09:05

phone. It's a lot more natural looking

09:06

instead of walking around like this,

09:08

which is obviously people are going to

09:10

know what you're doing and I'm too

09:12

scared to have social interaction.

09:13

People ask what I'm recording. Now,

09:14

finally, for the last shot, it's I mean,

09:16

just going to be a pretty basic B-roll

09:18

kind of shot, but there are a few apps

09:20

out there that kind of allow you to

09:22

unlock the full potential of your

09:24

phone's camera. There's Final Cut

09:26

camera, or what I use, and it is also on

09:29

Android, Blackmagic Camera. So, believe

09:32

it or not, it actually is still

09:33

supported on iPhone 11. So, I'm going to

09:36

take a look at that. So, if you ever

09:38

used like a real professional camera,

09:40

these are pretty much all the same

09:41

settings. So, starting with the lens,

09:43

I'm going to do just the default lens.

09:45

White balance, we can cool down to maybe

09:48

5200. And the ISO I'll increase up to

09:52

about 60. The ISO is usually where your

09:54

camera gets like grainy or noisy. So,

09:56

being able to actually control that is

09:58

really helpful. And we'll just get a

10:00

shot like that. Making it look like I'm

10:02

doing a lot of work here. So, I've set

10:04

up and dialed in the exact same settings

10:06

on the 17 now. And just for comparison

10:08

sake on the 17, I'm also going to record

10:10

it just on the default camera app to see

10:13

the differences there. And apparently

10:14

the camera control actually integrates

10:16

with Blackmagic Camera. So that's cool.

10:18

And now it's time to take a look at the

10:19

footage side by side. And that's truly

10:21

where the differences will be seen if

10:23

there are any. But I hope there are.

10:26

Otherwise, I just partially wasted my

10:28

money upgrading. So the first shot was

10:29

the ultrawide at my desk here. And if

10:32

you look in the corner, you can see a

10:34

ton of noise. That is not a very

10:36

good-looking video. So, if we switch it

10:38

over to the iPhone 17,

10:41

it's like the noise just disappears. It

10:42

got Thanos snapped. You know, maybe

10:44

Apple wasn't lying when they said they

10:46

made a lot of improvements to the

10:47

ultrawide on the 17. I mean, this is

10:50

looking pretty good. It's actually

10:51

usable now. Now, the next shot was macro

10:54

or whatever you want to call this

10:56

attempt from the iPhone 11. This was the

10:58

closest we're able to get it on either

11:00

of the two back cameras. Not very close.

11:03

I'm very shaky in that video. But if we

11:06

go to the 17s, like my phone was pretty

11:09

much touching it. So, I mean, it is

11:10

pretty niche when you're going to need

11:12

to get a shot this close, but just the

11:14

fact that you can on the 17, it just

11:16

makes it more versatile. I like it's a

11:18

phone camera. This device is used for

11:19

texting and calling, and you can record

11:22

video and apparently macro video. The

11:24

next shot's going to look something like

11:26

this. It's my A-roll setup, and this is

11:29

the iPhone 11. Like that looks pretty

11:33

good. Honestly, there's a little bit of

11:34

noise, especially in these darker areas.

11:37

And my face does look kind of like

11:40

overly smooth and plasticky. You know, I

11:43

I have a a little skincare routine, but

11:47

not like that. But if you take a look

11:48

like outside the window or I mean even

11:50

just in the background there, it's all

11:52

kind of in focus. There's not much like

11:54

depth of field like you would get in a

11:56

camera like this. Now, if we switch this

11:57

over to the iPhone 17, you can see

12:00

there's almost more, I guess, dynamic

12:02

range. My hair looks less just splotchy

12:05

and dark. There's just like a little

12:07

more detail there. And there is a little

12:10

bit more depth of field. It's not that

12:12

noticeable to be honest. And on the 11,

12:14

if you take a look at the couch here or

12:16

in this corner here, and then we go back

12:18

to the 17, all of that noise is gone.

12:20

It's it's out of there. And when it

12:22

comes to video, that makes a huge

12:24

difference. So, that's definitely a pro

12:26

when it comes to the 17's camera. I

12:28

mean, not that the 11 ever stood a

12:31

chance in this video, but like the point

12:32

of this video is just to see like how

12:34

far the cameras have come over many

12:36

generations, not just like one, which is

12:39

what most comparisons are testing. And I

12:41

also tried the cinematic camera. You

12:44

know, at first glance,

12:46

not very good. It looks like it kind of

12:48

just cut me out like green screen style

12:51

and blurred the background a little too

12:54

much. Like if you kind of take a look at

12:55

normal versus the cinematic mode. It

12:58

does its job. It blurs out the

13:00

background a little more. As far as like

13:02

a video of me talking directly to the

13:04

camera, I'm not sure I'd use it cuz that

13:06

just looks kind of fake. Like I would

13:08

honestly just prefer the normal camera

13:11

mode. But for something like a little

13:12

B-roll shot in the first 15 seconds of

13:14

the 17 unboxing video, I actually used

13:17

this phone to record a shot in cinematic

13:19

mode of the box because I already had my

13:22

camera packed away and I'm like, "Oh,

13:24

let's try this out." And I think it cut

13:26

into the video very well. And I think

13:27

for little shots like that in the

13:29

future, I will be using the cinematic

13:31

mode. Now, next is the more fun slow

13:33

motion shot. We have the uh 720p very

13:37

grainy and noisy iPhone 11 video. But in

13:40

terms of the slow motion itself, like

13:42

the fact you can get 240 frames on like

13:44

a what six-year-old phone, that's pretty

13:47

good. Like it doesn't look the best, but

13:48

if you're expecting the best, you

13:50

probably need to lower your

13:51

expectations. And if we take a look at

13:53

the 17 slow motion here, you can tell

13:56

it's much better quality. Looks a lot

13:58

sharper. Again, a lot less noise. A lot

14:00

of the same things in all the other

14:01

shots. And again, it's it's looking

14:03

pretty slow, but that's that's a good

14:05

thing in this case. So, we got the front

14:07

cam on the 11. Like, it's what you

14:09

expect. It's just like a pretty default

14:11

selfie camera, but I think it's slightly

14:13

less of a of a snorefest when you move

14:15

to the 17 because I think it's actually

14:18

noticeably wider. And again, the 17 has

14:21

a 20 mm front cam. The 11 has a 23 mm.

14:25

So, the 3 mm does make a difference. But

14:28

to me, what's most exciting about the

14:29

selfie cam is, of course, the reframing.

14:32

Now, you can hold it like this. Again,

14:34

super comfortable. and it spits out

14:35

this. Now, the actual like file is

14:38

recorded vertically. You don't have the

14:40

black bars on top like it shows on

14:42

screen. Like, it's actually good enough

14:43

to the point that this feature is what

14:45

I'll be using to record myself on my

14:47

phone if I ever need to. And that's just

14:48

like for me. If you have like um what

14:50

are they called? Friends and you're

14:52

trying to take like a selfie and no

14:54

one's fitting in it and you got to hold

14:56

it vertically and then try to figure out

14:57

how to click the snapshot button. Like

14:59

that's just not a problem anymore. You

15:01

just click one button, everyone's in

15:03

frame. And I think that's a great little

15:05

update, Apple, and I'm sure other people

15:07

could appreciate it even more than me.

15:09

Now, finally, we broke out the good old

15:10

Blackmagic camera, and that's the same

15:13

company that makes Da Vinci Resolve,

15:14

which is like one of the most popular

15:16

video editing softwares. So, they know

15:18

their stuff. And between the iPhone 11

15:20

on Blackmagic, and the 17 on Blackmagic,

15:24

it's the same things we talked about.

15:25

The noise, just the overall general

15:27

quality is going to be better on the 17.

15:30

But I'm glad I got this extra shot cuz

15:31

what's most interesting here is the 17

15:33

with Blackmagic to the 17 without

15:36

Blackmagic. Between the two, I think you

15:38

can tell a pretty big difference in

15:40

terms of post-processing or not. In this

15:43

case, I actually might like the regular

15:47

app better, but I think that's probably

15:49

because I screwed up the uh white

15:51

balance. But I will say I do feel like

15:53

the Blackmagic app just looks a little

15:55

more richer. And I think that's again

15:57

probably due to the lack of

15:58

post-processing. And again, these shots

16:00

I think would look way better on a

16:01

telephoto lens. I can't even imagine how

16:04

good that would be, but I'm going to

16:05

have to imagine it cuz I don't have it.

16:08

But I think if you know how to use like

16:10

an actual camera, take the time to

16:12

properly dial in the settings. Carter,

16:15

with the Blackmagic camera app, I mean,

16:17

it doesn't matter which phone you're

16:18

using. I think generally you can get

16:20

better results out of it. At the

16:22

minimum, you have more control, which

16:24

for some people, depending on what

16:26

you're doing, is better. And again, this

16:28

is all just on the base model 17. I

16:30

talked myself out of getting the Pro or

16:32

Pro Max because the main reason I would

16:34

want that is for the cameras. I have an

16:37

amazing camera. If I ever need the extra

16:39

quality, I wouldn't be grabbing my

16:41

phone. I would be grabbing my Sony FX3,

16:44

rightfully so. You know, to absolutely

16:46

nobody's surprise, there are quite a few

16:48

improvements six generations later when

16:50

it comes to iPhone cameras. But was it

16:53

enough for you to be surprised? I don't

16:55

know. I think for me, it was expected,

16:57

but it's always a welcomed upgrade. So,

16:59

even though I got the base model, I

17:00

think it's still good to know that in

17:02

terms of phone cameras, this is still an

17:04

upgrade for me. But thank you for

17:05

watching and if you want to see some

17:07

more iPhone 17 related content, feel

17:09

free to subscribe.

Video Information

YouTube ID: 5dsdr7QK0Aw
Added: Oct 2, 2025
Last Updated: 5 months ago